Saturday, March 9, 2013

Oz the Great and Powerful 3D Review

Rated PG (Sequences of Action and Scary Images, and Brief Mild Language)

Running Time: 2 Hours & 10 Minutes

Cast-
James Franco-Oscar 'Oz' Diggs
Mila Kunis-Theodora
Rachel Weisz-Evanora
Michelle Williams-Glinda the Good Witch/Annie
Zach Braff-Finley the Flying Monkey (voice)/Frank
Joey King-China Girl (voice)/Girl in Wheelchair
Bill Cobbs-Master Tinker
Tony Cox-Knuck
Abigail Spencer-May
Stephen R. Hart-Winkie General
Bruce Campbell-Winkie Gate Keeper
Ted Raimi-Skeptic in Audience

Directed by Sam Raimi

Director Sam Raimi revisits the world of Oz in his latest film, "Oz: The Great and Powerful."
Note: Screened on Wednesday, March 6, 2013 at AMC Empire 25.

'Toto, I've a feeling we're not in Kansas anymore.' Released in 1939 and loosely based on L. Frank Baum's 1900 novel The Wonderful Wizard of Oz, director Victor Fleming's "The Wizard of Oz" (starring a then-sixteen year old Judy Garland) is a classic in every sense of the word and to even consider remaking it would be blasphemy. So how did Disney get around this? Why, by making a prequel of course! With Tim Burton's "Alice in Wonderland" earning a gargantuan $1 billion worldwide in 2010, it's no surprise that the studio wanted to replicate that success. Disney's interest in Baum's Oz books stretched all the way back to 1937, shortly after "Snow White and the Seven Dwarfs" became an unexpected critical box office success. The Mickey Mouse creator wanted to produce an animated film based on the first book in the Oz series (there are fourteen) but the Baum estate had already sold the rights to Samuel Goldwyn, who then re-sold it to Louis B. Mayer of MGM in 1938. This resulted in the Fleming classic that we all know and love today. Disney did end up making their own "Oz" film when they acquired the rights to the rest of Baum's novels in 1954. Positioned as an 'unofficial' sequel to Fleming's film, 1985's "Return to Oz" was both a critical and commercial flop, although it has developed a cult following since its release. Disney eventually lost the rights to the Oz books, which reverted back to the public domain. The idea of a prequel to "The Wizard of Oz" came about when writer Mitchell Kapner was pitching ideas to producer Joe Roth, whose credits include the aforementioned "Alice in Wonderland" and last summer's "Snow White and the Huntsman." Kapner's pitches just weren't clicking with Roth and so out of curiosity, he asked the writer what he was reading. It turns out that Kapner has been reading Baum's Oz books to his children. This kicked off a long discussion about the series but Roth suddenly stopped Kapner once they got up to the sixth book, The Emerald City of Oz, which explored the origins of the eponymous wizard. Thus, a film was born! This was actually back in 2009, which means that "Oz: The Great and Powerful" has been in development for over three years. Making a prequel to such a timeless classic is a risky proposition but apparently Disney believed in the film and with director Sam Raimi's vision enough to justify spending $200 million, and that's not counting the marketing! So the only question is whether the film is any good. Despite suffering from some pacing issues and at times over-indulgent CG, "Oz: The Great and Powerful" remains a wondrous film to behold, an entertaining visual feast for the eyes that refreshingly harkens back to a simpler time. 

Traveling with the Baum Brothers Circus in Kansas, 1905, Oscar 'Oz' Diggs (James Franco) is a small-time magician who dreams of becoming a 'great man' one day despite his meager earnings and womanizing ways. After a particularly disastrous show, he is visited by a young woman named Annie (Michelle Williams), who clearly has feelings for Oz. She reveals that a John Gale has proposed to her and she wanted to share the news with him first. Oz tells her to go through with the marriage instead of waiting for him to commit but their meeting is cut short when the husband of one of his many paramours comes looking to tear him a new one. Making a quick escape on a hot air balloon, Oz is swept up in a vicious tornado that transports him to the colorful world of Oz. Welcomed by the beautiful witch Theodora (Mila Kunis), Oz learns that he is supposedly the prophesized 'wizard' that will free the land from the evil grip of the Wicked Witch. The two travel to the Emerald City, where Theodora's sister Evanora (Rachel Weisz) has been watching over the throne and awaiting the wizard's return. Seduced by the promise of so many riches, Oz sets out on his mission to defeat the Wicked Witch despite the enormity of such a task. Helping him on his quest are good witch Glinda (also Michelle Williams), a flying monkey named Finley (voice of Zach Braff), and a little girl made of china (voice of Joey King). However, they soon realize that the Wicked Witch has been hiding among them in plain sight all along. 

More a spiritual prequel than a direct one, "Oz: The Great and Powerful" pays homage to Fleming's timeless classic but wisely doesn't get bogged down in constantly reminding viewers of that film. Director Sami Raimi (and the audience) knows that it would be impossible to try to surpass the original and instead concentrates on making a film that honors the world that L. Frank Baum created while forging its own path. The script from Mitchell Kapner and David Lindsay-Abaire is rather straightforward, cherry-picking elements from Baum's books to create an origin story of sorts for both the Wizard and the Wicked Witch of the West. Evoking a sense of nostalgia, "Oz: The Great and Powerful" opens in black-and-white (with a 1.375:1 'Academy' aspect ratio) when Oz is in Kansas but expands to full widescreen once he reaches the HD, Technicolor world of Oz. What follows is a story that doesn't offer much in the way of surprises, with our hapless 'wizard' gathering a motley crew of allies to battle the Wicked Witch in much the same way that Dorothy did close to seventy-four years ago. 

At 2 hours and 10 minutes, the thin plot feels a tad over-stretched with the abundant CG threatening to overwhelm the characters at times but Raimi manages to keep a tight rein on the proceedings, dazzling the audience with sumptuous visuals while making an emotion connection. That connection surprisingly comes from Joey King's China Girl and one of the most heartwarming scenes is when she asks Oz to bring her family back to life. This is obviously something he cannot do but when recounting the story of how Thomas Edison invented the light bulb, Oz instills within her a sense of hope, that belief and faith can make the impossible…possible. That's the gist of "Oz: The Great and Powerful," where being great is not about wielding a golden scepter or swimming in riches; it's about taking responsibility and inspiring others to have the confidence to fight their own battles. It's not a complex theme but it fits in with the film's playful and earnest tone, which harkens back to a simpler time. While it's made with children in mind, Raimi does put his own stamp on the material, utilizing extreme close-ups and jump cuts from his "Evil Dead" days. The only contentious aspect of the film is the back-story given to the Wicked Witch of the West. Her fall from grace is meant to represent how jealousy can twist the kindest of hearts but her transformation feels forced and never entirely organic. As for the visuals, every penny of its $200 million production budget has been put to use in bringing Oz to life. While the CG can be too obvious at times, Raimi at least had the good sense to build physical sets, preventing Oz from turning into a throwaway green-screen effect. Shot in native 3D, the extra dimension gives a nice sense of depth to the world, although there's some jarring motion blur when the camera pans too quickly. Still, this is definitely one of the better 3D films I've seen. 

The performances of the film range from earnestly sincere to completely over-the-top. James Franco does a fine job as Oz, although it's hard not to feel that he's slightly miscast. He excels in conveying the character's sense of vulnerability but can't quite pull off the overconfident swagger. Mila Kunis exhibits an innocent naivety as Theodora while Rachel Weisz's Evanora is deliciously evil. I won't reveal which of the two becomes the Wicked Witch but similar to Franco, the performer never feels entirely right for the role. Having the most fun is Michelle Williams as the heavenly Glinda. With her wide eyes and beaming smile, Williams is absolutely delightful. However, Zach Braff and Joey King steal the film as flying monkey Finley and the delicate China Girl. Despite their characters being nothing more than a pile of pixels, Braff and King manage to bring them to life with only their voice, inspiring both laughs and sympathy within the audience. 

Released on March 8, 2013, "Oz: The Great and Powerful" has received mixed to positive reviews with 60% on Rotten Tomatoes. Critics admitted that 'it [suffered] from some tonal inconsistency and a deflated sense of wonder, but [the film] still packs enough visual dazzle and clever wit to be entertaining in its own right. Audience reaction during the advance screening on Wednesday was positive, although not quite as enthusiastic as I was expecting. Still, this is the first film of 2013 to have a chance at breaking the current box office slump and it's already poised to open with at least $80 million. Whether it becomes the worldwide success that "Alice in Wonderland" was remains to be seen. "Oz: The Great and Powerful" doesn't hold a candle to the 1939 original yet Raimi has managed to craft a film that not only entertains but will also inspire those to seek out Fleming's classic. Against all odds, it works and that's quite an achievement when most prequels today don't even bother to hide the fact that they're mere cash-ins.

Final Rating: 4 out of 5

"I don't want to be a good man... I want to be a great one!"