Rated
PG-13 (Intense Sequences of Sci-Fi Violence and Action, Some Sexual Content, Brief
Nudity, and Language)
Running
Time: 1 Hour & 58 Minutes
Cast-
Colin
Farrell-Douglas Quaid/Carl Hauser
Kate
Beckinsale-Lori Quaid
Jessica
Biel-Melina
Bryan
Cranston-Chancellor Vilos Cohaagen
Bill
Nighy-Matthias
John
Cho-Bob McClane
Bokeem
Woodbine-Harry
Will
Yun Lee-Marek
Dylan
Scott Smith-Hammond
Kaitlyn
Leeb-Three-Breasted Prostitute
Directed
by Len Wiseman
Is this real? Is this recall? Should you even care about this remake?! |
Gleefully
violent yet also thought provoking, Paul Verhoeven's "Total Recall," starring
Arnold Schwarzenegger and loosely adapted from Philip K. Dick's 1966 short
story We Can Remember It for You
Wholesale, remains a science fiction classic twenty-two years after its
release in 1990. A fond relic of a bygone era, it's the type of film that
Hollywood rarely makes anymore so when Columbia Pictures/Sony announced that a
remake was in the works in 2009 with Neal H. Moritz's Original Film (cue
obligatory chuckle) producing, fans were rightfully outraged. Whoever was
chosen to direct had some extremely big
shoes to fill. That person turned out to be Len Wiseman but this announcement
did little to quell fan skepticism that the project was little more than a
cynical cash-grab. The creator of the "Underworld" franchise where
his wife, Kate Beckinsale, stars as the leather-clad vampire Death Dealer Selene,
Wiseman's career as director/producer stretches back nine years and since then,
he's only had one film that received
positive reviews: 2007's "Live Free or Die Hard." Well, "Total
Recall" has finally arrived in theaters (again!) and while this new
version offers plenty of flashy visuals and action scenes, it is ultimately an
unnecessary remake that fails to capture the nuance of Verhoeven's classic and
is nothing more than a poor pastiche of every dystopian science fiction film released
in the past three decades.
In the year 2084, a global biological war has left
much of the Earth uninhabitable and the only places still capable of supporting
life is the United Kingdom, now calling itself the United Federation of Britain, and The Colony, formerly Australia. Ruled by Chancellor Vilos Cohaagen (Bryan
Cranston), the United Federation of Britain is a sprawling futuristic metropolis
where the rich and well-to-do live while the lower classes are forced to carve
out a meager existence in the rain-drenched slums of the Colony. A massive
transit system dubbed 'The Fall' connects the two nations through the planet's
core. Blue collar factory worker Douglas 'Doug' Quaid (Colin Farrell) lives in
the Colony with his loving wife Lori (Kate Beckinsale) and spends his mornings
commuting to the UFB to his job assembling synthetic police droids. Haunted by
dreams of a mysterious woman and longing for a life with actual purpose, Quaid
decides to make a trip to Rekall
Incorporated, a company that specializes in memory implants that gives its
clients experiences of fabulous vacations using alternate identities. However, during
the procedure, the company representative, Bob McClane (John Cho), discovers
that Quaid has already had his memory erased and demands to know who he is.
Suddenly, an armed SWAT team bursts through the door and attempts to arrest
Quaid but he manages to kill all of them in an explosive shootout despite
having no formal training. A bewildered and confused Quaid returns home to his
wife, where she reveals that she is actually a secret agent and that their
marriage is a sham as a result of false memory implants. To unravel the secrets
of his mind and learn his true identity, Quaid joins forces with a rebel from
the Colony named Melina (Jessica Biel) while evading capture from Cohaagen's endless
battalion of police droids and SWAT teams.
In the words of Arnold
Schwarzenegger, the original "Total Recall" was 'the best mind-f*ck
yet' while Wiseman's remake is all flash with little, if any, of actual
substance. Verhoeven's version may have been full of cheeky one-liners and overly-exaggerated
violence but what made the film so memorable were its themes of unchecked
corporate greed and the nature of fantasy vs. reality. Is what we're seeing
on-screen really happening or does it
only exists in Quaid's mind? No concrete answers are provided, leaving it up to
audiences to formulate their own theories. This ambiguity is entirely absent in
the remake and robs much of the suspense from the film. With the exception of
its tone and the move from Mars to Earth, the script from Kurt Wimmer and Mark
Bomback brings absolutely nothing new
to the table. Wiseman himself only seems concerned with throwing as many visual
effects at the viewer as he possibly can to keep them from focusing on its paper-thin
story, although some of the future tech shown is rather clever, such as a cell
phone that is embedded into your
hand. Not one penny of its estimated $138 million production budget was wasted
but the future looks awfully generic as it rips off of similar dystopian
science fiction films, specifically 1982's "Blade Runner" and 2002's
"Minority Report," which ironically had Colin Farrell in a supporting
role. Hell, Cohaagen's white armored SWAT teams and synthetic police droids are
so blatantly plagiarized from "Star Wars" that George Lucas could win
a lawsuit against Wiseman for copyright infringement!
The best parts of the
remake are the little nods to the original, such as the three-breasted
prostitute played by Kaitlyn Leeb this time around and the obese woman visiting
for 'two weeks' yet it also serves as a stark reminder of how much fun Verhoeven's film is. The only
element that I can praise is the action but even these scenes end up being dull
and repetitive. Wiseman relies on it so
much that it leaves all the characters as little more than punching bags as
they run from one location to another, occasionally stopping for the briefest moments of exposition. The
hand-to-hand combat is well-choreographed, especially during an elevator brawl
between Lori and Melina but the editing is often too choppy and frenetic. Some
of the action is staged like a platform video game, such as a chase sequence
that has Quaid and Melina hopping through a maze of vertical and horizontal
elevators. "Total Recall" may deliver on visual spectacle but Wiseman
fails to take advantage of its intriguing premise, thereby wasting his
opportunity to craft a unique film.
The performances from the cast aren't
terrible, although that's not saying much. Colin Farrell is likable as Douglas
Quaid but his character's confused state is all on the surface and the script
unfortunately leaves him so bland and devoid of personality that it's hard to
feel any sympathy. The same problem applies to Jessica Biel's Melina, who bats her
eyes at Farrell and little else. Kate Beckinsale however, appears to be having
fun and is in full ice queen bitch mode as Quaid's 'wife' Lori. Michael
Ironside's character of Richter has been combined with hers to give Beckinsale
more screen-time. Finally, there's Bryan Cranston as Vilos Cohaagen, who is the
chancellor of the United Federation of Britain instead of a greedy corporate
executive. Cranston is actually quite charismatic but unfortunately, the actor
is completely wasted in the role.
"Total Recall" was released on
August 3, 2012 to largely negative reviews with 32% on Rotten Tomatoes. Critics
noted that 'it boasts some impressive action sequences [but] lacks the
intricate plotting, wry humor, and fleshed out characters that made the
original a sci-fi classic.' Audience reaction was enthusiastic when I saw the
film at an advanced screening this past Thursday and there was even applause. I find that moviegoers
nowadays are like children as they are easily dazzled by a couple of flashy
visual effects. "The Dark Knight Rises" should remain at the top of
the box office with ease while Wiseman's remake should earn a respectable $25
to $30 million in second place. The only competition is "Diary of a Wimpy
Kid: Dog Days," based on Jeff Kinney's books of the same name but with
little interest from audiences, it'll end up with $15 to $20 million behind
"Total Recall," although the production budget is incredibly low
anyway. "Total Recall" may be packed with action and copious amounts
of visual effects but this remake fails to update upon the original in any
meaningful way, leaving the film a dull and monotonous affair, much like
Quaid's life. You're better off re-watching Verhoeven's version and wiping this
one from your memory.
Final
Rating: 2 out of 5
"This
is going to be hard for you to believe. Whatever you think you remember…is not
real. This person you think you are now, it's all a lie."