Saturday, December 26, 2009

Up in the Air Review

Rated R (Language and Some Sexual Content)

Running Time: 1 Hour & 49 Minutes

Cast:
George Clooney-Ryan Bingham
Vera Farmiga-Alex Goran
Anna Kendrick-Natalie Keener
Jason Bateman-Craig Gregory
Sam Elliott-Captain Maynard Finch
J.K. Simmons-Bob
Zach Galifianakis-Steve
Amy Morton-Kara Bingham
Melanie Lynskey-Julie Bingham
Danny McBride-Jim Miller
Chris Lowell-Kevin
Steve Eastin-Samuels

Directed by Jason Reitman

Do you smell that?
How many people go through life alone and at the end of their lives regret that they never made any sort of connection? Probably too many to even count. In today's troubled economic climate, you never know when 'The Man' (or Woman) is going to give you the boot. Along comes "Up in the Air," the third film from director Jason Reitman, famous for 2007's "Juno." The film could be viewed as a romantic comedy or a sign of how disillusioned and disconnected we've become but whatever its trying to tell us, it's one of the best films this year and watching cutie Anna Kendrick tell off George Clooney is absolutely priceless.

Ryan Bingham (George Clooney) works for Integrated Strategic Management and is a 'career transition counselor.' Simply, he is sub contracted out to other companies to fire people because the bosses who are supposed to do it just don't have the balls to. Bingham doesn't have a real home and travels frequently, having no real connection to anyone. One of his goals is to rack up ten million frequent flyer miles and join that 'elite club.' During one of his travels, he meets Alex Goran (Vera Farmiga), who's like him, 'only with a vagina.' They immediately hit it off and begin a casual relationship, having no-strings attached sex in hotel rooms. Out of the blue, Bingham's boss, Craig Gregory (Jason Bateman) calls all his employees back to HQ and introduces them to Cornell graduate Natalie Keener (Anna Kendrick), who's developed a much more efficient way of firing people through video conferencing, which saves on the company shelling out money for travel expenses. Bingham sees this as threat as he treats firing people very seriously and with dignity but secretly, he believes that he's about to get the boot. So Bingham takes Natalie along and shows her how hard it is to fire people face-to-face but along the way faces some life-altering obstacles that challenge his personal philosophy on relationships.

Nowadays, you can't flip through a newspaper without reading about some random company laying off this many percent of its employees. "Up in the Air" deals with the inhumanity of corporations when firing people, often out of necessity to cut costs and while Reitman mines these scenes for comedic effect at times, there's also a sadness behind it. The film begins with this opening montage of what happens when you don't have people like Bingham to do damage control, showing Zach Galifianakis as a disgruntled employee standing outside the company he used to work for with a sniper rifle. Hey, we may never think of the worst case scenario but it happens! Scenes where Bingham and Natalie lay off countless people are often touching because these are regular folks who have given the better part of their lives and dreams for 'the company,' only to be treated this way in return. One of them even threatens to go jump off a bridge. "Up in the Air" is about all those things but it's also about one person who's coasted through life, thriving on the misery of others and although he sympathizes, he's never experienced or felt their pain. Bingham doesn't think about settling down or having a family because he finds it all pointless. After all, everyone is heading toward the same end, which is, stuck in a coffin three feet below the earth so he has these frivolous pursuits. Racking up ten million frequent flyer miles? What is the point? You get a nice shiny card with your name on it and a dedicated phone line from the airport company but what do you get out of it? It's all just meaningless. Natalie is fresh out of college and ready to prove her worth, but she's also idealistic. She has her entire life planned out and hopes to be married by twenty-three. Bingham and Natalie often clash horns, particularly with his lifestyle choice where he takes no responsibility for anyone or himself. Reitman shows how corporations and technology employ cold logic to what they do, and this even extends to personal relationships. Natalie's boyfriend breaks up with her through text message and nowadays, people are so distant that after a one-night stand, they don't even have the decency to say good-bye; they just up and leave! Perhaps most important of all though, the film tells us that although jobs are important because they help pay the bills and put food on the table, all this pales in comparison when you're going through life alone and that even if you get fired, someone will be there to help you through it. Life is just not worth going if you're going it alone.

"Up in the Air" works so well thanks to its performances and George Clooney seems born to play a person like Ryan Bingham. He's charismatic, charming, someone you can easily get along with but in the end, you don't really know him. People often ask how Bingham sleeps at night doing what he does, and although he may never truly know what it feels like to be fired, he can at least try to comfort them and that's the kind of humanity Clooney brings to the table. Vera Farmiga plays a female version of Bingham and she exhibits many of the same qualities but knows how to keep her work life and home life separate. There is excellent chemistry between her and Clooney as they trade quips and innuendo and while we hope these two characters end up together, this is sadly not the case. I won't reveal how it happens but it'll come as a surprise considering how many people gasped at the theater. Anna Kendrick is adorable as a fresh faced corporate employee and this may sound cruel, but it was rather cute when she began sobbing loudly in front of everyone when her boyfriend broke up with her. Most impressive is that she is never overshadowed by Clooney and her Golden Globe nomination is well-deserved, though the competition is certainly tough. Word of advice: she should drop out of the "Twilight" films; they may pay the bills but it's beneath her talent and I hope to see her in more movies that are worth her time. Did I mention she looks great in a business suit? Despite its dour subject, there are plenty of funny moments such as when Natalie and Alex discuss what kind of ideal mate they want, or when Bingham uses stereotypes to pick which line to go on at the airport and finally, Kendrick singing karaoke!

"Up in the Air" had a limited released on December 4th and went wide on December 23, 2009. Reviews have been overwhelmingly positive with 90% on Rotten Tomatoes. Critics praised the 'charismatic performances by its three leads' and that the film 'delivers a smart blend of humor and emotion with just enough edge for mainstream audiences.' It has made $16 million so far and the positive word-of-mouth has helped immensely as it was a full house when I saw the film, although I didn't particularly enjoy the snoring eighty-year old woman sitting next to me. "Up in the Air" is a surprising film that's relevant of the troubled times we live in but it's also about the importance of forging a connection before it's too late. With memorable performances, this is one movie you can't afford to miss.

Final Rating: 5 out of 5

"The stars will wheel forth from their daytime hiding places; and one of those lights, slightly brighter than the rest, will be my wingtip passing over."

Thursday, November 26, 2009

Godzilla (1998) Blu-Ray Review

Rated PG-13 (Sci-Fi Monster Action/Violence)

Running Time: 2 Hours & 19 Minutes

Cast:
Matthew Broderick-Dr. Niko Tatopoulos
Jean Reno-DGSE Agent Philippe Roaché
Maria Pitillo-Audrey Timmonds
Hank Azaria-Victor 'Animal' Palotti
Kevin Dunn-Colonel Hicks
Harry Shearer-WIDF Anchor Charles Caiman
Doug Savant-Sergeant O'Neal
Arabella Field-Lucy Palotti
Michael Lerner-Mayor Ebert
Vicki Lewis-Dr. Elsie Chapman
Malcolm Danare-Dr. Mendel Craven
Chris Ellis-General Anderson

Directed by Roland Emmerich

Godzilla, or the time Roland Emmerich bastardized a pop culture icon.
With Roland Emmerich's over-caffeinated CG-fest "2012" in theaters, another one of his earlier films has arrived on Blu-Ray and its 1998's "Godzilla," a loose remake of the 1954 Japanese classic of the same name. Godzilla has been a part of Japanese monster movies and pop culture since its inception, portrayed by a man in a cheesy latex rubber suit and starring in a total of twenty-eight films (the last one released in 2004), making this one of the longest running franchises in cinematic history. I remember there was lots of hype leading up to the release of Emmerich's film with numerous advertisements on buildings and buses plus promotional tie-ins with KB Toys and Taco Bell. When I finally saw it in theaters, I enjoyed the film very much but then again, I was just a kid and enjoyed any movie that had mindless destruction. Now, I'm older, wiser, and possibly more cynical. Watching "Godzilla" again, I found that I still enjoyed it but to a much lesser degree as aside from the big lizard trashing New York, the story is mostly a throwaway and too formulaic with bland acting, uninteresting characters and special effects that haven't aged all that well.

After a grainy montage that shows how Godzilla came to be, a Japanese fishing ship is suddenly thrashed about by a large, reptilian creature, leaving only one traumatized survivor in its wake. At the hospital, he is visited by a mysterious Frenchman who questions him about what he saw; his only reply: 'Gojira.' Meanwhile, Dr. Niko Tatopoulos (Matthew Broderick) of the Nuclear Regulatory Commission is at the famous Chernobyl site, studying the effects of radiation on earthworms. The abrupt arrival of an agent from the U.S. State Department has him reassigned to observe the massive wave of destruction left by a creature in Panama and Jamaica. Leading the military expedition is Colonel Hicks (Kevin Dunn). On a rainy day in Manhattan, the creature, dubbed 'Godzilla' by the media, rampages across the Big Apple and causes untold amounts of destruction. After a battle with the U.S. military, Niko discovers that the creature reproduces asexually and may have already planted his young somewhere deep in the subway tunnels. The Frenchman, revealed to be an agent of the DGSE named Philippe Roaché (Jean Reno), is sent to clean up France's mess with their nuclear testing (inadvertently creating Godzilla) and recruits Niko to try and destroy the nest or face the possibly of human extinction.

A film like "Godzilla" needs no plot but Emmerich saw fit to provide us with one and the result is…not that good. I really did not care for the human characters at all and actually found some of them quite annoying. If only Godzilla would squish them into a bloody heap. Alas, this is a PG-13 film, so there is nary a drop of blood to be seen. The pacing at times can get bogged down for some 'character development,' specifically when Niko meets his college sweetheart Audrey Timmonds (Maria Pitillo) and begins to rekindle their love in the face of all this chaos. Really, only a genius like Emmerich can come up with this stuff. If you didn't figure it out, I was being sarcastic. There are also a few lapses in logic. Godzilla's size seems to change when he's burrowing in the subway tunnels compared to when he's roaming outside and although he has flame breath, the ability is rarely used, such as when Niko and his friends are trapped inside a Park Avenue tunnel. Finally, if Godzilla can be killed with just a barrage of F-18 missiles, why didn't the military use them in the first place instead of using machine guns and tanks? No, this is a film where you must turn off your brain and enjoy the carnage enfold. There's a certain visceral quality to watching Godzilla running through the streets as he's being chased by military helicopters but it's all surprisingly pedestrian. Since New York has been the epicenter of many disaster films, there's little we haven't seen before but famous landmarks that get destroyed include the Flatiron and Chrysler Buildings, and Madison Square Garden. Godzilla himself is a fully CG creation but while it may have looked acceptable in 1998, the quality just isn't up to par when you're viewing the film in high definition. He looks like he's been photo-shopped in to all his scenes. This problem is also prevalent when Niko and Philippe are attacked by hundreds of Baby Godzillas. You'll notice some move awkwardly and those are controlled by the film crew but the ones that require elaborate movements are CG, given that they have a different shade of color compared to the real-life models and have a faint edge enhancement effect to them. That must be why the entire film takes place in the rain because we never really get a good look at the big lizard, who sort of blends in with the gray buildings.

The acting is forgettable and full of cheesy dialogue. Matthew Broderick is the only one who seems to be taking any of this seriously but the others often go for comic relief that falls flat. Jean Reno seems more obsessed with getting good coffee than stopping Godzilla and the scene where he gives his soldiers Double Mint gum (to look more American!) looked like it leaped from a Saturday morning cartoon, which is ironic because this film actually inspired an animated series. Hank Azaria talks in a stereotypical New Jersey accent and his interactions with his wife border on sitcom material. Finally, Maria Pitillo looks nothing like a news reporter and acts like a random dumb blonde, screaming at everything. You may also notice that the mayor of New York is called Ebert and his campaign manager named Gene. This was done to mock the two famous critics who panned Emmerich's previous films. A cheap shot if you ask me. Still Ebert himself took it all in stride but expressed disappointment that Godzilla did not squish him.

"Godzilla" finally stomps onto Blu-Ray with some rather fuzzy video quality but this is due in large part to the way it was filmed. Everything is drenched in rain, giving it a very dreary look but overall this is a solid, technically proficient transfer. Audio is 'brute force' with Godzilla's shrieking roars or the debris being scattered everywhere as random buildings are knocked over. Although most of the extras were ported over from the 'Monster Edition' DVD, the number of special features is rather paltry. There's an audio commentary on the visual effects, two featurettes with one of actor Harry Shearer (why him?) and the other a montage of fight scenes from other Godzilla movies and lastly a music video that no one really cares.

Released on May 20, 1998, "Godzilla" received largely negative reviews (not a surprise) with only 26% on Rotten Tomatoes, though there are not enough reviews to form a general consensus. Expected to take in close to $90 million over Memorial Day weekend, it grossed only $74 million with a final domestic gross of $136 million and $379 million worldwide. Although not a total flop, the film still underperformed to Sony's expectations. "Godzilla" is generally viewed with derision by hard core fans and they don't even consider him part of canon, calling the creature GINO or 'Godzilla-In-Name-Only.' This is a film that defines what summer blockbusters are: dumb, story deficient, and hopped up on special effects. There is still some enjoyment to be hand with "Godzilla" but it's largely an empty and ultimately forgettable, experience.

Final Rating: 2.5 out of 5

"I believe this is a mutated aberration, a hybrid from the fall out in that region. We're looking at a completely incipient creature. The dawn of a new species. The first of its kind."

Tuesday, October 13, 2009

Paranormal Activity Review

Rated R (Language)

Running Time: 1 Hour & 25 Minutes

Cast:
Katie Featherston-Katie
Micah Sloat-Micah
Mark Fredrichs-Ghost Expert
Amber Armstrong-Amber
Ashley Palmer-Girl on Internet

Directed by Oren Peli

I don't think we're alone...
Nyctophobia, or fear of the dark has been one of humankind’s most pervading phobias. Once the lights go out, we become much more sensitive to every little noise in our homes, such as a creaky floorboard or a shaking pipe. Pure terror comes not from gratuitous gore, but from not being able to see or understand what lurks behind the veil of darkness. This is “Paranormal Activity” in a nutshell, from first-time director Oren Peli and filmed on a shoe-string budget of $15,000 over a period of seven days with all dialogue improvised by the actors/actresses. With its mockumentary approach and minimalist style, “Paranormal Activity” creates an unrelenting sense of unease and terror that will affect you long after you leave the theater. I strongly suspect this film to go on to critical acclaim much like 1999’s “The Blair Witch Project.” 

Katie (Katie Featherston) and Micah (Micah Sloat) is a young couple living together but they’ve been having some weird disturbances in their home. During a visit with a psychic ghost expert (Mark Fredrichs), we learn that they may be plagued by a demon and that it seems to be after Katie herself, who has experienced these hauntings ever since she was eight years old. An excited Micah decides to get a camera and, mounted on a tripod, film any weird occurrences in their bedroom. Not surprisingly, strange things begin to happen around the hours of 2 and 3 AM, such as the bedroom door moving a few inches or random objects being dropped to the floor. As these events occur, a low droning noise can be heard. Micah’s excitement continues to grow, much to the chagrin of Katie but as the days go on, things start to get worse, pushing the young couple’s psychological state past the breaking point. 

“Paranormal Activity” works best when you know the basic premise and nothing else. You’ll no doubt notice that everything is very simple and naturalistic; there’s basically one set (the house) and outside of two other people, the focus is always on Katie and Micah. This is a film that plays upon our primal fear of the unknown, where small occurrences in the night can ‘instantly transform the most mundane location into a place of menace’ (James Berardinelli, ReelViews). Peli takes a ‘less is more’ approach, using just sound cues and moving shadows to create a sense of atmosphere and suspense. Many of the scenes are just the camera showing the couple sleeping and you’ll be sitting there knowing that ‘something’ is about to happen but just when you begin to relax your guard, a loud thud can be heard in the hallway and the bedroom door just suddenly slams shut! You never actually see anything, but this is actually a good thing and leaves you to use your imagination to try to fill in the blanks. Unfortunately, those who grew up with mainstream horror or today’s torture porn might find “Paranormal Activity” too slow an experience, possibly even downright boring. People who keep an open mind for the unconventional will praise the film but from what I’ve seen as I left the theater, most of the audience was truly on the edge of their seats, minus a few hecklers who can’t keep their mouths shut. 

The acting feels very real; Katie and Micah’s mannerisms around each other would fool most people into thinking they were a real-life couple if it weren’t for the mention of Paramount Pictures during its opening credits. Micah’s macho-man demeanor creates a few funny moments despite the film’s tense atmosphere. While inspecting the house he talks aloud whether moving the door a few inches was the demon’s ‘master plan’ or if he’s just doing ‘random sh*t.’ Another scene had him standing in a room with a microphone and, in an effort to communicate, he asks several questions such as what the demon’s ‘quest’ is, whether it can speak English next time or if he should get a Ouija board. The latter produces a noticeable inhuman growl when Micah plays back the recording. Katie is against getting an Ouija board and makes her boyfriend promise not to buy one but of course, he finds a loophole and instead, borrows one! Speaking of Katie, her downward spiral is utterly convincing and her growing spats with her boyfriend helps create a growing sense of unease as the situation escalates out of control. Near the end of the film, she utters that ‘everything will be fine from now on,’ and this is where you’re likely to go, ‘oh sh*t!’ The ending will definitely hit you like a hammer so it goes without warning that you should brace yourself if you’re planning to go see it (preferably, no, definitely not alone!). 

“Paranormal Activity” took quite a while to reach the multiplex as after it was finished, the film was screened in 2007 at the Screamfest Film Festival where a DVD copy made its way into the offices of Miramax. Although accepted into the Slamdance Film Festival, no one was interested in picking the film up for major distribution. By 2008, the DVD ended up at DreamWorks and after being viewed by director Steven Spielberg, a remake was green-lighted with Peli as director. Fortunately, Peli decided to do a one-time screening of his original version to see how a real audience would react. Viewers began to walk out soon after, which seemed like a bad sign, but the real reason was that they were genuinely scared of the film. It was at this point that all attempts for a remake were disbanded and the film released as originally made. Released on September 25, 2009 (wide release on October 16) with midnight-only screenings, the film expanded into 160 theaters this weekend and managed to make $9 million so far with a per-theater average that is higher than all of the other major releases. Reviews have been overwhelmingly positive with an 85% on Rotten Tomatoes. Only time will tell if it will turn into the “Blair Witch Project” of the decade. “Paranormal Activity” is a film that builds upon its simple premise with a terrifying climax that will leave you breathless. I am 21 year old man and I will probably never sleep alone now!

Final Rating: 5 out of 5

"You cannot run from this;  it will follow you. It may lay dormant for years. Something may trigger it to become more active and it may over time reach out to communicate with you."

Friday, September 11, 2009

Star Trek: Nemesis Blu-Ray Review

Rated PG-13 (Sci-Fi Action Violence and Peril and a Scene of Sexual Content)

Running Time: 1 Hour & 56 Minutes

Cast:
Patrick Stewart-Captain Jean-Luc Picard
Jonathan Frakes-Commander William Riker
Brent Spiner-Lieutenant Commander Data\B-4
LeVar Burton-Chief Engineer Geordi La Forge
Michael Dorn-Lieutenant Commander Worf
Gates McFadden-Doctor Beverly Crusher
Marina Sirtis-Counselor Deanna Troi
Tom Hardy-Praetor Shinzon
Ron Perlman-Viceroy Vkruk
Dina Meyer-Commander Donatra
Jude Ciccolella-Commander Suran
Shannon Cochran-Senator Tal'aura
Alan Dale-Praetor Hiren
Kate Mulgrew-Admiral Kathryn Janeway
Whoopi Goldberg-Guinan
Wil Wheaton-Wesley Crusher
Majel Barrett-Ship's Computer

Directed by Stuart Baird

Captain Picard confronts his clone, Shinzon, in "Star Trek Nemesis."
Note: Part of the "Star Trek The Next Generation Motion Picture Collection" Blu-Ray set. 

When you have a franchise like Star Trek that has been with us for the past 43 years, it gets harder to keep things fresh. “Star Trek Nemesis,” released on December 13, 2002 was to serve as the swan song for the TNG cast with the tagline, ‘A Generation’s Final Journey Begins.’ Unfortunately, the film received negative reviews from professional critics and was a financial flop at the box office. “Nemesis” tries to be another “Wrath of Khan” with some thrilling space battles but all this comes at the expense of the characters and the cast just doesn’t seem to have their heart in the performances. 

On Romulus, the Senate is listening to a proposal from Shinzon (Tom Hardy), who wants to unite the Reman forces and attack the Federation. The Praetor would hear none of it and they are subsequently all killed with a deadly thalaron weapon. Meanwhile, Captain Jean-Luc Picard (Patrick Stewart) is serving as best man to Commander Riker (Jonathan Frakes), who is about to be married to Counselor Troi (Marina Sirtis). After the ceremony, the crew set a course for Betazed but is sidetracked when they discover a positronic signature on nearby Kolarus III. Picard, Data (Brent Spiner), and Worf (Michael Dorn) travel to the surface using a shuttlecraft and find the remains of a disassembled android that looks exactly like Data. The android is called B-4 and as LaForge (LeVar Burton) works on him, Picard receives a message from Admiral Kathryn Janeway (from the TV series, “Voyager”), who informs him that a new Praetor has come to power on Romulus and wants to discuss peace negotiations. When the Enterprise arrives at Romulus, they are greeted by a massive warship called the Scimitar and the Praetor is Shinzon of Remus. To Picard’s shock, he’s human and a clone of him. Although Picard really does want to believe Shinzon is sincere about peace, he decides to wait until that trust can be earned. However, LaForge discovers thalaron radiation on the Scimitar, which raises a red flag and it becomes apparent what Shinzon’s plan really is: to drain Picard’s genetic material since he is dying and annihilate Earth with a destructive thalaron weapon. Picard and his crew must stop Shinzon from carrying out his plan before the heart of the Federation is destroyed. 

The story of “Star Trek Nemesis” had a lot of potential as it explores the nature vs. nurture concept but all of this is sidelined in favor of massive space battles. While Star Trek does feature action, the focus is always on the human element and this is what sets it apart from other science fiction films. Picard has grown up in an environment surrounded by caring family and friends but Shinzon has never known love, and is fueled by hatred due to his loss of identity. The film asks whether if this darkness has always been with Picard or it was the harsh realities of life that made Shinzon the way he is today. Data believes that although they share the same genetic structure, they are not the same because Picard always strives to better than he is. Running as concurrent subplot is Data’s meeting with his ancestor, B-4 and his culmination in his journey to be more human. In the end, he sacrifices himself to save Picard and although it was sad to see him go (he is my favorite character), his death is ultimately meaningless as he survives through B-4. “Nemesis” concludes that people are not born the way they are and it is the environment that shapes them to what kind of person they’ll be. Unfortunately, you’ll have to infer this yourself due to its many action scenes to appeal to a mainstream audience. The film also suffers from an underdeveloped plot such as how Shinzon acquired B-4 in the first place and if the Remans are a working class species, how did they develop a massive warship with an experimental weapon. Non-Trek fans would just reason that’s the nature of the franchise but that’s not true; as outlandish as the premise always gets, the writers always found a way to ground the films. 

The acting is solid but many of the cast members seem to be weary of the roles they’ve been playing for the past 15 years. Patrick Stewart is still engaging (no pun intended) to watch as Captain Picard, as is Brent Spiner as the indispensible Data but the others end up doing very little other than engage in expository dialogue. Tom Hardy is Shinzon and has a few good scenes but his acting ability pales in comparison to Stewart whenever they’re on-screen together. He’s basically a Khan-wannabe but he’s never given proper motivation for what he’s doing. Sure, he had a hard life growing up but it just makes him out to be an angry child lashing out because fate dealt him a bad hand. If there’s one advantage that “Nemesis” has over the other Trek films, it’s the special effects and they are excellent. The USS Enterprise-E displays incredible detail as does the Reman warship Scimitar. The space battle in the Bassen Rift is suitably impressive and ranks up there with the Borg fight from “First Contact.” 

The Blu-Ray is better than “Insurrection” but there are times when the details are too soft. However, all the space scenes are sharp and are a visual treat for the eyes. Audio is near reference quality as you’re treated to loud phaser blasts and Jerry Goldsmith’s excellent score. Everything hits you with a bang during the space battle and you’ll find yourself leaning forward in your seat to take in everything. Like the other discs in the set, “Nemesis” comes jam-packed with special features, which include commentaries from Michael and Denise Okuda, director Stuart Baird and producer Rick Berman plus the standard featurettes on the making-of the film. Of particular interest are the deleted scenes as the initial cut of the film ran 45 minutes longer and many of the scenes edited out were character moments. These are not re-integrated into the film so you’re still seeing the theatrical version. 

Despite the amount of hype surrounding the film, “Star Trek Nemesis” couldn’t have been released at a worse time as it put the film in direct competition with “Harry Potter & the Chamber of Secrets” and “007 Die Another Day.” A week later, the much-anticipated “The Lord of the Rings The Two Towers” was released, which caused “Nemesis” to lose 76% of its business. Reviews weren’t positive as it holds a 36% on Rotten Tomatoes as critics called ‘the whole affair feels a bit tired.’ The film ended up making $43 million domestic and $67 million worldwide, barely covering its $60 million production budget. “Star Trek Nemesis” is not as bad as most people made it out to be and as a Trekkie, I rather enjoyed it for the most part but one can’t help feeling that the cast feels weary in their roles, as if they’re going through the motions. As a swan song to the TNG cast, it’s mostly between a bang and a whimper.

Final Rating: 3 out of 5

"You are ME! The same noble Picard blood runs through our veins. Had you lived my life, you'd be doing exactly as I am. Look in the mirror and see yourself. Consider that, Captain...I can think of no greater torment for you."

Star Trek: Insurrection Blu-Ray Review

Rated PG (Sci-Fi Action Violence, Mild Language and Sensuality)

Running Time: 1 Hour & 43 Minutes

Cast:
Patrick Stewart-Captain Jean-Luc Picard
Jonathan Frakes-Commander William Riker
Brent Spiner-Lieutenant Commander Data
LeVar Burton-Chief Engineer Geordi La Forge
Michael Dorn-Lieutenant Commander Worf
Gates McFadden-Doctor Beverly Crusher
Marina Sirtis-Counselor Deanna Troi
F. Murray Abraham-Ad'har Ru'afo
Donna Murphy-Anij
Gregg Henry-Subahdar Gallatin
Anthony Zerbe-Vice Admiral Matthew Dougherty
Daniel Hugh Kelly-Sojef
Michael Welch-Artim
Majel Barrett-Ship's Computer

Directed by Jonathan Frakes

Lock and load: Captain Picard and his crew abandon their uniforms in "Star Trek Insurrection."
Note: Part of the "Star Trek The Next Generation Motion Picture Collection" Blu-Ray set. 

After the excellent “Star Trek First Contact,” another installment featuring the TNG cast was a no-brainer for Paramount. With Ronald D. Moore and Brannon Braga busy working on the television series “Deep Space Nine” and “Voyager,” writer/producer Rick Berman teamed up with Michael Piller and set out to make the ninth film much lighter in tone. Released on December 11, 1998 and now available on Blu-Ray, “Star Trek Insurrection,” despite its action-oriented tagline, definitely features a few comedic scenes that borders on cheesiness but is saved thanks to its allegorical plot.

As the Federation is embroiled in a bloody conflict with the Dominion (recounted in DS9), the USS Enterprise-E are on a diplomatic mission when Captain Jean-Luc Picard (Patrick Stewart) receives a disturbing message from Admiral Matthew Dougherty (Anthony Zerbe): Data (Brent Spiner) has malfunctioned while observing a peaceful agrarian race known as the Ba’ku, attacking Starfleet officers and their ally, the Son’a. Although Dougherty rejects the Enterprise’s assistance, Picard becomes suspicious and orders the ship to set a course for the Briar Patch, where the Ba’ku home planet is located. After a harrowing chase, Picard and Worf (Michael Dorn) manage to capture Data and learn that the Ba’ku have warp capability and were a formerly technologically advanced race, but abandoned it to live in harmony with nature. As the Enterprise crew investigates what caused Data to malfunction, they discover a cloaked Federation ship that is home to a gigantic holodeck. Picard concludes that the Ba’ku is to be forcibly removed from the planet but does not know why. Later that night, he beams down to the planet and learns from Anij (Donna Murphy) that the planet’s rings contain metaphasic radiation particles, which allows the Ba’ku to be constantly rejuvenated and lead long lives but blocks communication to outside space. Picard now knows that corrupt Federation officials and the Son’a, led by Ahdar Ru'afo (F. Murray Abraham), are planning to harvest the particles and forcibly remove its people and immediately confronts Dougherty about this blatant violation of the Prime Directive. Dougherty orders the Enterprise to leave immediately but Picard decides to take matters into his own hands and abandons his uniform, and along with his crew, defends the Ba’ku from the villainous Son’a. 

“Star Trek Insurrection” is without a doubt a weaker film compared to “First Contact” and the overall tone is rather cheerful, so there’s a lack of tension even during the space battles. You just know that the Enterprise is going to save the day once again! Some may find the film’s comedic elements groan-inducing but for the most part, I wasn’t bothered and some of them were chuckle-worthy, especially the chase scene where Picard subdues Data with a sing-along to “A British Tar” from the musical “HMS Pinafore” by Gilbert and Sullivan. This time, the theme is an allegory about the forceful relocation of a less advanced race, recalling our violent past with Native Americans when we pushed toward the west. There’s also the idea about the ‘Fountain of Youth’ and our culture’s obsession with trying to look younger. Of course, when such a thing exists, you can guarantee that some people will kill, even annihilate an entire people, to obtain it. Once again, a subplot involves Data learning what it’s like to be a child, reinforcing the film’s friendly tone. ‘The best Star Trek stories are allegorical—in addition to telling an involving story, they're about something other than going into space and blowing up enemy ships’ (James Berardinelli, ReelViews) and this helps “Insurrection” from becoming another “Final Frontier.” 

The acting continues to impress and Patrick Stewart once again delivers an impressive performance as Starfleet’s consummate captain. He plays a less serious role compared to “First Contact” and seems to enjoy it very much (he also had story input and serves as associate producer). Brent Spiner’s Data returns to his more Pinocchio-like quest to learning to be more human and gets some lessons on having fun from a child, played by Michael Welch (whom you might recognize from last year’s “Twilight”). The rest of the cast are in fine shape but some of the TNG cast, like Gates McFadden, Marina Sirtis and even Jonathan Frakes don’t have too much screen-time. Granted, Frakes was also doing double duty as director but this marks a disturbing trend where the TNG films are increasingly focused on Picard and Data. F. Murray Abraham is Ru'afo, who definitely pales in comparison to the Borg Queen and even though he carries out his threats, you never feel like he’s a serious threat. He does sport a weird wrinkly face; there was this scene where he was undergoing a face-lift and the skin is held tight with a staple gun! 

“Insurrection” continues the use of digital effects began in the previous film but due to the change in visual effects studios (Industrial Light & Magic was busy with “Star Wars Episode I The Phantom Menace”), the results are not as good. Still, the design of the Son’a ships look detailed and unique, resembling boomerangs. The only ship battle is the one between the Enterprise and two of the Son’a battle cruisers in the Briar Patch but it’s all too brief. The Blu-Ray is the weakest out of the TNG box set so far but that doesn’t mean it’s a bad thing. Close-ups look great but sometimes the depth of field is too excessive, making the background look fuzzy. At its best, you’ll get some excellent wide shots that show off the Sierra Nevada Mountains and the green colors are very vibrant in the Ba’ku village, creating a sense of a simple, idyllic paradise. The extra clarity sometimes make the digital effects more obvious, such as the Son’a drones which have a slight black outline to them. Although “Insurrection” is the quietest TNG film, audio is strong and dialogue is always crisp. Phaser blasts still have some oomph to them and while Jerry Goldsmith’s score doesn’t reach the epic heights of “First Contact,” this Blu-Ray still makes for an engaging listen despite the subdued sound mix. Special features include a new commentary from director Jonathan Frakes and co-star Marina Sirtis (Frakes generally agrees this is not on par with “First Contact”) and various featurettes detailing the production process such as the visual effects and the makeup for the Son’a, ported from the Collector’s Edition DVD. Once again, Paramount packs quite a large amount of extras so fans won’t be disappointed. 

Released on December 11, 1998, “Star Trek Insurrection” received mixed reviews from critics as they found the film ‘sluggishly paced [and] plays like an extended episode of the TV series,’ averaging a 54% on Rotten Tomatoes. The film made $70 million domestic and $113 million worldwide, a moderate success though Paramount viewed it as a disappointment, leading to the four-year gap with “Star Trek Nemesis.” “Star Trek Insurrection” features a lighter, more optimistic tone in line with Gene Roddenberry’s vision and though some may find it cheesy, this is still a great TNG film due to the allegorical plot, which has always been Star Trek’s greatest strength.

Final Rating: 3.5 out of 5

"And here you are, closing those eyes, trying not to see what bitterness has done to the Son'a, how its turned Ru'afo into a madman. And you, turned you into a coward, a man who denies his own conscious. A coward without the moral courage to prevent an atrocity. You offend me!"

Star Trek: First Contact Blu-Ray Review

Rated PG-13 (Some Sci-Fi Adventure Violence)

Running Time: 1 Hour & 51 Minutes

Cast:
Patrick Stewart-Captain Jean-Luc Picard
Jonathan Frakes-Commander William Riker
Brent Spiner-Lieutenant Commander Data
LeVar Burton-Chief Engineer Geordi La Forge
Michael Dorn-Lieutenant Commander Worf
Gates McFadden-Doctor Beverly Crusher
Marina Sirtis-Counselor Deanna Troi
James Cromwell-Zefram Cochrane
Alfre Woodard-Lily Sloane
Alice Krige-The Borg Queen
Neal McDonough-Lieutenant Sean Hawk
Robert Picardo-Emergency Medical Hologram
Dwight Schultz-Lieutenant Reginald Endicott Barclay III
Jack Shearer-Admiral Hayes
 Majel Barrett-Ship's Computer

Directed by Jonathan Frakes

'I am Locutus of Borg. Resistance...is futile.'
Note: Part of the "Star Trek The Next Generation Motion Picture Collection" Blu-Ray set.

Before the release of this year’s critically acclaimed “Star Trek” from J.J. Abrams that revitalized the aging franchise, there were a total of ten films, and the last four feature my favorite crew from the long running television series, “Star Trek The Next Generation.” While the first six (featuring the crew from the Original Series) are already out as a Blu-Ray box set since May, the TNG films are set to be released next Tuesday. Well, I have the four films sitting right on my desk as I’m typing and I’ve decided to review my favorite of the bunch first, “Star Trek First Contact,” released into theaters on November 22, 1996 and marks the directorial debut of Jonathan Frakes, who also plays Commander Riker. “Star Trek First Contact” is without a doubt, not only the best of the TNG-era films but also of the franchise thanks to an excellent story, eye-popping visual effects and Frakes’ confident direction, who knows the characters inside out. 

After the destruction of the USS Enterprise-D in the previous film, Captain Jean-Luc Picard (Patrick Stewart) now leads his crew on the Enterprise-E, a Sovereign-class ship and the most advanced in Starfleet. After waking up from a nightmare about his time as a Borg, Picard receives a message that a Borg Cube is heading straight for Earth. However, he is ordered to patrol the Neutral Zone in case the Romulans decide to take advantage of the situation but the real reason is that Starfleet feels Picard is too emotionally involved to fight. When he learns that the Borg is decimating the fleet, Picard disobeys his orders and heads for Earth, leading the fleet to victory by destroying the Borg Cube. However, a small sphere escapes and the Enterprise becomes trapped in a temporal vortex while in pursuit. Inside, they glimpse the future and see Earth assimilated by the Borg. The crew resolves to go back to the past and repair whatever damage they’ve done, arriving on April 4, 2063, the day before humanity makes first contact with the Vulcans. Picard now must stop the Borg from preventing Zefram Cochrane’s (James Cromwell) historic warp drive flight or the future he knows will never exist. 

Since the film assumes most people are familiar with the TNG cast, there are no introductions and the story doesn’t waste any time getting into the action. “Star Trek” has always prided itself on offering moral conundrums over epic space battles (although there is one) and “First Contact” is no different. The focus is squarely on Stewart’s Picard, who is still haunted by his experience when he was assimilated by the Borg (from the television series for you non-Trekkies) and wants revenge. There are parallels to Captain Ahab from Herman Melville’s famous novel “Moby Dick” (ironic since Stewart also starred in a made-for-TV film adaptation) and there is this excellent scene where Picard, with forceful conviction says, ‘The line must be drawn here! This far, no further! And I will make them pay for what they've done!’ He interacts with a survivor from the third World War, Lily Sloane (Alfre Woodard) and tells her that in the 24th Century, humanity has evolved to the point where there is no greed or war but despite all of the technology or ‘evolved sensibilities,’ Picard is still susceptible to being overcome by vengeance because of one simple reason: he is human. Another theme touched upon is the idea of hero worship. Zefram Cochrane, played by James Cromwell, was the one who invented the warp drive and ushered in an era of peace for humanity, and the Enterprise crew constantly reminds him of this much to his chagrin. However, history textbooks often have a way of skewing the truth and the real Cochrane is just an old drunk obsessed with rock-and-roll music. When he remarks that he can’t imagine ever meeting this ‘historical figure’ they keep referring to, Riker says that someone once said, ‘Don’t try to be great man. Just be a man, and let history makes its own judgments.’ Cochrane laughs at such ‘rhetorical nonsense’ but learns that he was the one who said it, or will say it in ten years time. Finally there’s the subplot involving Data (Brent Spiner) and the Borg Queen, played with an alluring sexuality by Alice Krige, who tries to resist the Faustian deal he’s presented since it has always been Data’s life-goal to become more human. “First Contact” is very much like the rebooted “Star Trek” in that it also appeals to non-fans but doesn’t lose sight of what made people fall in love with Star Trek in the first place. It’s a shame this success wasn’t able to be replicated in the next two installments. Despite the film’s serious tone, there are also some lighthearted moments, such as when Deanna Troi (Marina Sirtis) gets drunk and mouths off at Riker (‘Timeline? This is no time…to talk about time! We don't have the time!’). Most of the comedy is at Cromwell’s expense as he’s overwhelmed by all the hero worship. He even pokes fun at the fact that in the entire history of Star Trek, not one crew member is ever shown going to the bathroom! 

The acting is amazing and it has to be considering that these people have been playing the same roles for over eight years. Patrick Stewart is at his best as Picard with a commanding screen presence that makes you care about what he’s going through. The rest of the TNG crew does a great job as well, although some of the cast, such as Gates McFadden (Dr. Beverly Crusher) and Marina Sirtis, don’t have much to do. James Cromwell is hilarious as Zefram Cochrane, going from drunken stupor to finally accepting his place in history. Alfre Woodard has some great scenes with Stewart when she drags him back to reality and calls him out on his hypocrisy. Finally there's Alice Krige as the Borg Queen, who's creepily sexy thanks to the makeup effects and reminds me of Kerrigan from Blizzard's StarCraft. “First Contact” featured some of the best visual effects and makeup at the time, putting it on par with “Star Wars.” When the Enterprise-E first appears, you’ll be in awe at its sleek design and the hard work putting in all the little details. The space battle between the Borg Cube and the fleet is impressive with phasers and quantum torpedoes flying everywhere, and if you’re quick, you might even catch a glimpse of the Millennium Falcon! The Borg themselves are menacing automatons as they slowly advance on the crew with only one purpose: to assimilate. 

The Blu-Ray is absolutely stunning and miles away from its DVD counterpart. The film’s opening scenes where Picard relives his assimilation reveal incredible detail, as do close-up shots. Black levels are solid although some of the neon colors (mainly from Borg Cube) look a little garish. If I was watching this for the first time, I wouldn’t believe this film was made in 1996 given how excellent the transfer is. Audio is suitably excellent with Jerry Goldsmith’s epic and emotionally resonant score making for an engaging listen. Dialogue is sharp and the space battle features wide dynamic range as phaser fire bombard the Borg Cube’s outer hull. Special features are packed and includes three audio commentaries from Damon Lindelof and Anthony Pascale (who runs TrekMovie.com), director Jonathan Frakes, and writers Brannon Braga and Ronald D. Moore, plus featurettes on the visual effects, Jerry Goldsmith, the possibilities of first contact with an alien race and many more. Paramount definitely went all-out on this Blu-Ray and fans won’t be disappointed. 

When “Star Trek First Contact” was released in 1996, reviews were overwhelmingly positive with a 92% on Rotten Tomatoes, making it the second highest rated Trek film behind Abrams’ “Star Trek.” The film made $92 million domestic and $146 million worldwide, which doesn’t seem high by today’s standards but keep in mind that outside the fan-base, the mainstream audience generally viewed Star Trek with disdain up until the release of the new film. “Star Trek First Contact” is an excellent entry in the franchise with the TNG cast in top form and although neophytes might not get all the in-jokes or references, there’s still enough here to hold their attention. With brilliant special effects and a frightening, unstoppable villain, you’ll come to know the meaning of ‘Resistance is Futile!’

Final Rating: 5 out of 5

"I will not sacrifice the Enterprise. We've made too many compromises already; too many retreats. They invade our space and we fall back. They assimilate entire worlds and we fall back. Not again. The line must be drawn here! This far, no further! And I...will make them pay for what they've done!"