Monday, September 24, 2012

Dredd 3D Review

Rated R (Strong Bloody Violence, Language, Drug Use and some Sexual Content)

Running Time: 1 Hour & 35 Minutes

Cast-
Karl Urban-Judge Joseph Dredd
Olivia Thirlby-Judge Cassandra Anderson
Lena Headey- Madeline Madrigal/Ma-Ma
Wood Harris-Kay
Warrick Grier-Caleb
Langley Kirkwood-Judge Lex
Edwin Perry-Judge Alvarez
Karl Thaning-Judge Chan
Michele Levin-Judge Kaplan
Domhnall Gleeson-Clan Techie
Rakie Ayola-Chief Judge

Directed by Pete Travis

"I am the law!" Karl Urban prepares to dispense some justice in "Dredd 3D."
When it comes to remakes, sometimes I wonder if Hollywood studio executives are actual people or really monkeys wearing expensive suits. For instance, take August's "Total Recall," a totally unnecessary remake that spectacularly failed to capture the nuance of the Arnold Schwarzenegger original or the Philip K. Dick short story that it's based on. Instead, director Len Wiseman opted to throw a deluge of meaningless CG effects in a transparent attempt to mask his film's shortcomings. I just do not understand why Hollywood insists on remaking good movies but not the bad ones. The recent release of "Dredd 3D" is one of those rare examples where a remake actually makes sense, as the original was downright terrible. Based on the U.K. 2000 AD comic book character created by John Wagner and Carlos Ezquerra in 1977, 1995's "Judge Dredd" starred Sylvester Stallone as the titular character but the film was a massive flop with critics (16% on Rotten Tomatoes) and audiences, grossing a paltry $34.7 million at the domestic box office, although it was modest success overseas with $78.8 million. Expressing his dislike for the original, Wagner remarked in a recent interview with Empire magazine that it 'had nothing to do with Judge Dredd, and Judge Dredd wasn't really Judge Dredd.' Even Stallone admitted that it was 'a real missed opportunity.' Although writer Alex Garland began working on the script as early as 2006, development on a new film adaptation wasn't formally announced until December 2008 as an independent project under British studio DNA Films. With director Pete Travis at the helm and Karl Urban as Dredd himself, filming finally commenced in Cape Town, South Africa in November 2010. Brutally violent yet grounded in realism, "Dredd 3D" may not break any new ground or offer anything that can be called original but it remains a tightly edited and highly entertaining piece of genre filmmaking. 

In the distant future, a devastating nuclear war has transformed much of the United States into an irradiated wasteland known as the Cursed Earth. The surviving human populations now reside in massive metropolis' called mega-cities, with the largest being Mega-City One, which covers much of the east coast of North America from Boston to Washington, D.C. and is home to over 800 million residents. Cesspools of crime, unemployment, and poverty, the only people who are able to contain the violence are the Judges, law enforcement officers granted with the powers of judge, jury, and executioner. After taking down a group of thugs in a high-speed chase, Judge Dredd (Karl Urban) is ordered to return to the Hall of Justice and meet with the Chief Judge (Rakie Ayola), who tasks him with evaluating a rookie named Cassandra Anderson (Olivia Thirlby), a psychic who failed her exam to become a full Judge. Meanwhile, a drug kingpin named Madeline Madrigal, nicknamed Ma-Ma (Lena Headey), who rules the 200-story slum tower block Peach Trees with an iron fist and controls the distribution of a powerful narcotic known as 'Slo-Mo' (which slows the user's perception of time to 1% of actual speed), decides to make an example of three small-time dealers by flaying and throwing their bodies from the top of the tower. Dredd and Anderson decide to investigate the triple homicide, busting up a drug den for information and arresting Kay (Wood Harris), one of Ma-Ma's key distributers of Slo-Mo. Anderson psychically learns that Kay was involved in the murders but just to be sure, Dredd decides to bring him to the Hall of Justice to be interrogated. When Ma-Ma learns of his capture, she has her henchman Caleb (Warrick Grier) seize control of the tower's security control room and seal the building using its blast shields under the pretense of doing a test on their security system. Trapped inside the tower, Dredd and Anderson must now battle against Ma-Ma's army of thugs and bring her to justice if they are to escape. 

I think it goes without saying that "Dredd 3D" is a massive improvement over the laughable Stallone version. Part of the reason that the film works so well lies in its simplicity. After a short narration from Dredd that provides just enough background information on the world he lives in, the plot immediately segues into the character dispensing violent justice in the streets of Mega-City One. It's not long before he and his protégé Anderson find themselves trapped inside a 200-story tower in the Peach Trees housing block, forcing them into a desperate battle for their lives in order to escape. It bears a passing resemblance to last year's Indonesian action film "The Raid: Redemption" (although this one was completed way before director Gareth Evans began production on his) and even "Attack the Block" but "Dredd 3D" avoids being a carbon copy by using its limited setting to emphasize the brutality that exists in this dystopian vision of the future. Writer Alex Garland chooses to avoid fleshing out Dredd, allowing his actions to speak for themselves in lieu of traditional character development and depicting him as a relentless force of nature. The interactions between him and rookie Anderson and the situation they find themselves in provide further insight into their respective personalities. There are some hints of Dredd hiding something behind his gruff exterior but he remains an enigma, as it should be. Anderson functions as an effective audience stand-in and Garland often uses her as a way to ease viewers who may not be familiar with the source material rather than blunt the action with awkward exposition. 

Compared to similar genre fare like the recent "Resident Evil Retribution," the action in "Dredd 3D" is low-key and relies on practical effects over CG. Grounded in realism despite the film taking place in the future, Dredd isn't presented as some superman that can engage in massive shootouts and expect to survive. He uses his environment to his advantage and rations his ammunition but even then, we are reminded that he is mortal and can be killed. The only action scene that approaches being over-the-top is when Ma-Ma's men uses three Gatling guns in a futile attempt to kill the two Judges, completely destroying an entire floor in the tower and reducing it to a pile of rubble. "Dredd 3D" is quite violent but never in a way that approaches parody. In terms of visuals, the scenes that stand out are the ones where various characters take a hit of Slo-Mo, where the slowing down of time creates these beautiful images that are both surreal and unnerving at the same time. The overall aesthetic was managed by British cinematographer Anthony Dod Mantle, who creates a stylish yet foreboding atmosphere within the tower. The design of the Judge's weapon also deserves a special mention. Dubbed the 'Lawgiver' and resembling a mini-submachine gun, the firearm has a variety of voice-activated modes such as armor-piercing rounds or explosives. Hell, I half-expected it to make Dredd a sandwich! While the film was shot in native 3D, the confined space in which "Dredd 3D" takes place in doesn't allow for much depth and the added effect only benefits the Slo-Mo scenes. Still, it's utilized in a creative and subtle enough manner to justify the ticket surcharge. 

As the titular character, Karl Urban is simply perfect in the role. Never removing his helmet once, Urban actually creates a rather nuanced performance, showing Dredd as harsh but never impractical and even displaying a dry sense of humor. His gruff delivery of 'I am the law' sends chills down your spine. The youthful Olivia Thirlby also handles herself pretty well, her character determined to use violence when necessary yet remains sympathetic to the plight of others, a trait that impresses even the stoic Dredd. Finally, there's Lena Headey as the violent drug kingpin Ma-Ma. With her facial scars and wild hair, Headey is a delight to watch even though her confrontation with Dredd proves to be underwhelming. 

"Dredd 3D" was released on September 21, 2012 to surprisingly positive reviews with 77% on Rotten Tomatoes. Praising the 'bombastic violence and impressive special effects,' critics concluded that it was 'a rare example of a remake that actually works.' Although the film received strong reviews and tons of online buzz during a screening at this year's San Diego Comic Con, it ended up bombing at the box office with a measly weekend debut of $6.3 million. The problem lies with the fact that mainstream audiences do not read comics and are not as invested compared to so-called 'fanboys.' Strangely, people seemed to be more interested in the generic PG-13 horror flick "House at the End of the Street" rather than a legitimately good film. Granted, the production budget was only an estimated $45 million so it may yet turn a modest profit overseas, enough to warrant a sequel. "Dredd 3D" does not reinvent the wheel but the direction, the tone, and the violence all combine to create one highly entertaining action film.

Final Rating: 4 out of 5

"In case you have forgotten, this block operates under the same rules as the rest of the city. Ma-Ma is not the law...I am the law."